1995 – 2000

From his early work he could be classified as an innate objectivist with a certain minimal touch, prone to the connection between the natural and technological advances. I am talking about works of a sculptural nature, some of them planned to be placed in public spaces, but which tensions the relationship with the traditional concept of sculpture. Through hybrid objects and assemblages, not infrequently bestowed with a certain absurdity, he converged tree trunks and branches with electronic and industrial components into lamps and rare artefacts, which spoke loudly about respect towards the environment, and above all, the rational use of technologies.

José Manuel Noceda